On Wearing Two Hats: Teaching & Responding to Writing

This morning I had the opportunity of engaging with quite an interesting and energetic group of bright individuals as part of our institute's training of newly-hired teachers. The goal was to discuss the teaching of writing to our EFL learners, what it is that an effective pre-writing lesson should entail, as well as ways of responding to students' writings. It was a hands-on session, with some initial discussion and brainstorming of lesson stages with a specific writing prompt in mind, which was then followed by their response to and correction of an authentic writing sample. The idea was to familiarize teachers with the kind of response to writing that we believe to be in keeping with the principle that writing is a recurrent process, non-linear in its creative nature, and the very expression of one's voice.

Roll up your sleeves and let's get down to business

Teachers worked in smaller groups and were asked to respond to and provide corrective feedback to a first draft sample of a five-paragraph essay written by an upper-intermediate level learner. Along with the sample, they received a copy of our correction and proofreading symbols, as well as a scoring rubric by means of which they'd grade that first draft. They immediately set out to accomplish the task, industriously reading the piece, red pens in hand, and... Stop. Wait a minute. Do you feel an urge to begin crossing out and underlining spelling mistakes and wrong verb tense use? You do, don't you?

Step away from the red pen

Before you unleash your full corrective-feedback-giving potential, put on a different hat. Be a reader. Respond to your students' content and ideas as a real person. Familiarize them with that sense of having an audience. We use language to communicate, be it in spoken or written form. Let them know that you are truly listening to them. Try to find at least a couple of aspects in their writing that are worth a compliment. Relate to their ideas, share a little about your own experience by commenting that maybe you once felt the same way as they did facing a certain situation in your own life, and that you know how wonderful or how difficult it must have been for them to go through it, as well. Empathize. Connect. Engage. 

Respect individual stylistic choices

It's always a challenge to provide corrective feedback without stifling the writer's voice. What I mean is, are you (over)correcting to the point of forcing the student to write as you would have if expressing a similar idea in written form? Of course there are instances of L1 interference that must be addressed, such as word order issues to name one, but we teachers walk a fine line between pointing our students in the right direction and simply imposing our own style on them. Keep an awareness of the fact that your students are experimenting with language (a foreign one, as a matter of fact), and that they are, knowingly or not, in their own quests to finding their voice. Cherish. Allow. Enable. 

Sounding curious as opposed to judgemental

Instead of saying something like "this paragraph is too short. Please develop your ideas here." how about offering something more in the lines of "I wonder if you could tell me more about this experience/situation." or even "how did you feel?" and "what did you do next?" The point is that by asking a simple question, you may elicit just the response you want from a student, instead of making a direct comment that might come across as judgemental, in that it is an affirmation made by you, the teacher, who is supposedly the knowledge authority on all subjects language-wise. Don't point fingers. Ask more questions. Provoke. Entice. Foster.

This set of guidelines sprang up from this group's engagement and reflections during our training session, so that gives you a pretty good idea of how lucky we are to have gathered such a great collection of curious and avid learner-teachers. Thank you all, Casa newbies, for inspiring me to write this piece.

Welcome aboard, guys!

Clarissa Bezerra

What do You Think? Questions in the EFL Classroom

“What do you think?” For most students, there is no question more enervating than this one. In reality, Fernando is thinking about Natalia’s rear end, Leticia is thinking about red shoes, and Amelia is wondering if her hair should really be so pink. The teacher is referring to the North Pole, to a week in the desert, to a flight to outer space. “What do you think?” Think what?!

Let’s get more specific. Look at the paragraph on page 94. “Most people start a diet on the first day of the week.” So, asks the teacher, on what day did Mary probably start her weight-loss program? Monday, teacher. Great! Is that enough thinking for the day? How many minutes are left in this class, anyway…..

Is it hot or cold in the Amazon? Hot, teacher. Is Florida north of the equator; yes or no? Yes, teacher. What do you think about the architecture in Brasilia? Think what?

Questions that are too broad or too narrow are really a dead-end with regard to inducing extensive thinking or communicating. “Thinking” is usually best fueled by substance, in the form of reasoning, figuring out, relating to experience. For example, among the classes which are a requirement for people wanting to obtain a driver’s license, there is one session devoted to small-group discussion of contentious traffic situations  described by the teacher on printed handouts. In this case, “what do you think” sparks a heated exchange between persons who have experience these or similar situations, who know others who also have, whose speculations and opinions are percolating with reciprocal mental energy in the buildup of accelerating reactions among the participants. This is thinking.

Yes/No questions, queries which ask for a fact or statistic, all have their place in classroom work, in the daily constructs of communication. But they do not usually result in the extent or complexity of thought – hopefully, expression – which the teacher has in mind when he envisions students in the process of interested reaction to stimulation of thought. Some questions inspire furtive, repeated attention to the movement of the minute hand on the clock on the wall. On the other hand, effective thought-provoking strategies can open up fields of mental/verbal exploration that will result in looks of surprise and slight frustration when the bell rings. Already, teacher?   

Katy Cox

Seeing your Students

Can “seeing” your students influence your relationship with them and their willingness to communicate? What does this question really mean? 

Let’s examine the following situation: You have created an eminently respectable lesson plan; it includes the requisite phases for pairwork, attention to textbook activities and grammar orientation, hands-on dynamics to practice the topic of the day, periodic white-board use, and appropriate technological inclusions. Your “flight check” for that last part resembles NASA pre-lift-off procedures as you punctiliously check CD tracks, PPT slides, computer connections, volume register…..all that is essential to take your lesson safely to its destination. 

Your concentration on your multiple responsibilities occupies your thoughts almost exclusively as you enter your classroom and attend to setting up what your students will experience for the next 150 minutes. Ah, yes…the students…. a gaggle of girls and a band of boys, all dragging roller bags and the paraphernalia of study and play…. assemble in noisy desks, a crowd with a collective identity. Who among them so you see and greet? Believe it or not, this could be a moment of potential significance – the fresh encounter, the time to reconnect and begin anew. 

There is one of two ways to envision this scenario: (a) The teacher is absorbed in class prep, back turned, the students gathering facelessly in their predictable arrangements, or (b) the teacher greets the students as they enter, acknowledging a new hairstyle, a happy face, a new pair of bizarrely bright orange running shoes…..If it can be managed, the time for the lesson and techno-check is when the classroom is empty, silent, awaiting the next round of action. The time for precious rejoining with your students is when they enter the environment you share; that is when you “see” them and rekindle the energy that fuels what you will experience together in those minutes that you hope will be memorable, that will make your students look forward to the days and weeks to come. 

Even with all your attention to your lesson plan, first and foremost, smile and look your students in the eye. This is the moment that could determine how far and how well your lesson will actually fly.     

Katy Cox

Pairwork Activities - If Students Aren´t Sharing, They are Not Pairing

What is a “pair”? The American Heritage dictionary begins its definition of this word by calling it “Two corresponding persons or items similar in form or function”. 

For the purpose of language teaching or any other kind of teaching, for that matter, the “corresponding” aspect is of the greatest pertinence. A moment comes in a great many lesson plans when the teacher thinks, for example, “OK, we’ve gotten through inductively figuring out how the present perfect is different from the past tense. Check. We’ve engaged in a spate of mental gymnastics filling in blanks in a series of PPT sentences. Aha! Used a technological resource. Check. Looked at lines of prose and eliciting individually in a crisscross pattern among students sitting in a U-shape that facilitates eye contact and intelligible oral exchanges…. decided which sentences contain the present perfect tense and why that tense was used in those situations. Check. Now it must be time for pairwork. Right. So the students are given the assignment to work in pairs on exercise B on page 46 of their textbook. Right timing; ineffective strategy. If the students are naturally gregarious, they will do the exercise collaboratively, or at least verify whether their responses match. But, was there anything about the exercise which necessitated a joint exchange, mutual input, utterance and response? If the answer is “no”, then you don’t have pairwork; you have two individuals sitting side by side engaged in a similar task which can be carried out without the “correspondence” of two people who depend on each other’s contributions to achieve a requested result. 

The following are a few examples of textbook-type set-ups that result in genuine pairwork.

Two students have cue cards which indicate the direction a question & answer exchange might take:  Policeman vs person suspected of automobile theft.   

              P:    for the past three hours

              T:    shopping mall

              P:    own the car you are driving

             T:    two years                                     

Students receive A & B dialog cards to practice role-play situations which include the structure or vocabulary in focus and which can be sequentially shared whole-class; these varied dialogs can also be rotated from pair to pair in closely timed progression.

Two students exchange comments on the ways in which a city has changed in the past few years, the ways in which parental rules have been modified, the changes that have taken place in common domestic technology.

Students pair up to ask and answer questions which will result in the creation of an ID profile card which can then be shared with the rest of the group. Ex: Where have you lived, worked, studied, traveled – etc – in the last two years?

 Variations of these possibilities are as infinite as our general inclination to communicate, and can be found by way of multiple resources, including – most probably – the textbooks you are currently using. But awareness is key in your inclusion of pairwork in your lesson plan:  as regards your students, if they’re not sharing, they’re not pairing. 

Katy Cox

Self-Reflective Piece on One of my EFL Classes with iPads

For the first time ever, I decided to try the book projects with iPads. Until that moment, doing book projects (Teens 6) always involved cardboard paper, colored pens and pencils, glue, ruler, magazines and all the other classroom material available for such a task. But what about classroom management? Would I be able to control my big group of restless teens? Could I trust them to handle the tablets for a specific purpose? Would they know how to get around the device and utilize the specific app proposed? In sum, there were many  questions and few answers.
Therefore, I had to get ready, and my first step was to undergo the iPad Training Session at Asa Norte. In our daily busy routine, it is hard to find the time to go through all the apps available for educational purposes, but I expected to have a better idea of the most used ones in the classroom. Of course, I am still far from mastering every single one of them, but I had the chance of browsing through and by the end of the section, select the most adequate app to offer students for the activity I had in mind. Since I wanted students to prepare posters, I asked them to use Viz, but they had a second option which was Picollage.

https://itunes.apple.com/us/app/visualize/id444076754

https://itunes.apple.com/br/app/pic-collage/id448639966?mt=8

 Students had been told of the date they were supposed to do the book report long in advance, so they had time to read their books and decide if they wanted to do the book project individually or in pairs. On the scheduled day, they were only supposed to bring the books they had read and nothing else.

With iPads in hand, I began the class by showing them the basic devices and the app that I wanted them to use. That was part of my organizational scheme. Students were warned of basic care needed and time available for the project, which was 50 minutes. Also, I wrote the questions I wanted them to answer in the project, which were:

1-What ´s the story about?

2-Who or what are the main characters?

3-How does the story end?

4-Would you recommend it to friends? Why? Why not?
Pictures and organization was up to them and they were free to use their creativity the way they wished. For my surprise and relief, they were acquainted with the app and did not have many doubts. And the ones who were not, had the help of more experienced peers. The student´s sense of collaboration and engagement was overwhelming. Then I was free to help with the English. 

http://www.flickr.com/photos/ctjonline/sets/72157638121516873/

http://www.flickr.com/photos/ctjonline/sets/72157638121516873/

The result was superb, and I couldn’t have been happier. The following class, I projected their work in the classroom, and friends had the chance of judging and making comments on each other´s project. Finally, I could feel students were proud of the outcome, and I had the chance of proving iPads relevance for education.

Appitivity - Young Learners and Educreations

http://farm8.staticflickr.com/7008/6660141777_f3c5978a8e.jpg

The young learners we have in our classrooms nowadays are digital natives. It means that they were born during or after the general introduction of digital technology.  They are familiar with computers, mobile devices and internet from an early age.  I have been using the Ipads in my Kids group and they simply love it!

For the first activity I used Educreations. We were practicing vocabulary related to the beach, but the teacher can adapt and use this activity for any kind of vocabulary practice. 

Here is the activity:
  -  Take the Ipads beforehand and open the app (Educreations).

·         - Make it ready-to-use (click on “new project” and you’ll see a blank page).

·         - Make sure Educreations is logged in (branch’s account). So, it’s easier to access the students’ projects later and share or embed it on the web.

·         - After doing the activities you have prepared for the Circle Time (songs and chants) use the Ipads to review content. In this case: vocabulary.

·         - The children are already on the floor.

·         - Divide them into pairs and explain they are going to work together, taking turns.

·         - Open your Ipad (before giving the kids their devices) and show them how they have to proceed.

·         - Tell them you’re going to speak up a word and they´ll have to draw it. (model)

·         - After drawing they have to touch the REC button and say the sentence using the word. (model)

·         - They have to pause touching the REC button again. (model)

·         - On the bottom of the page, right side, they touch the arrow that goes to the next blank page. (model)

·         - Everybody waits for the second word.

·         - Use the same procedure for the rest of the words.

·         - After the last slide you have to save their projects. (Ask your aid for help)

·         - Save the project with the students’ names and the class. (e.g.: Maria and Julia – K02)

·         - Save it public.

EXAMPLE:

·         - Teacher: “It’s a bucket.”

·         - Students: draw the bucket.

·         - Students record their voices saying: “It’s a bucket.”

·         - They pause.

·         - They go to the next slide.

Educreations puts the slides all together and makes a short video. They really enjoy watching their project and their classmates’ projects. Below you can see one example:

After class, the teacher can access the branch’s account and click on ‘Welcome, CTJ’. You’ll see all the projects saved. Click on the project you want to use and you’ll be able to share or embed it.

I have created a digital portfolio using the free pbworks WIKI - http://kidsteacherika.pbworks.com. On the WIKI, I created a page for each student and embedded their projects there. In the end of the month, I sent the link to the parents. Another idea (from Carla Arena) is to create a page for each project and send the link through “Registro Escolar” to all parents at once. This is a screenshot from one of my student’s page:

Setting Guidelines for IPad Usage in Class

I was browsing through my reader when I came across a short but relevant post on Eudemic. The author tells us  a short story to convey the message that every house has different practices, and that  teachers should not assume all our students will have been taught the same way to take care of the expensive devices we bring to class. One thing is for sure: we do want students to use the IPads to be creative and enjoy the lessons, but we also want them to be careful and keep the devices fully functioning. The solution? The post aforementioned suggests we clearly communicate device usage guidelines to students. I`ll download a larger sized version of the  graphic below available at Teachers Pay Teachers (free) because it is well designed and very informative, go over the rules with students and use the IPads happily ever after.

Practical Ways of Developing Fluency

What do you do when a student asks:

“How do I improve my fluency?”

I attended the 2nd Alumni, CTJ, & IBEU TEFL Conference last week.  One of the speakers, Michael McCarthy, talked about how fluency is one of these terms where everyone knows what it means, but have difficulty in defining it:  Think about readiness.  Think about spontaneity.  Does the speaker have their independent ideas about the subject at hand? Fluency means “not causing strain to either the person listening nor feeling strain while speaking”.

Ok, so what does that look like? Here are some terms you need to know:

• Speed of delivery--how many words per hour does your student speak? Casual conversation is 10,000 words per hour!  Your student doesn’t have to speak that fast when it comes to giving speeches, however.
• Pauses--your student should not pause for longer than half a second!  A big “NO NO” is pausing when it is your turn to speak or in the middle of fixed phrases such as “You know what I mean?”  You don’t want to say “You-- know-- what-- I mean.”
• Dysfluency--getting lost in your thoughts.  You say, “What was I talking about?”
• Automaticity--that knee-jerk reaction when it comes to having response to fire off right away.
• Confluence--the ability to carry out a conversation in a way where you create opportunities for your listener to understand when your turn is almost over so that they are ready to start their turn--and they provide you with that same courtesy!

Let’s go back to the original question: “How do I improve my fluency?”

Here are some of my ideas:

• Have your student find a reading passage that they really respect or enjoy and have them read the passage.  It should be a fairly decent length so that it can’t be done in two minutes.  Have them read the passage aloud for two minutes and mark where they stop. The following week, have them read aloud again for two minutes and mark it again.  How many words did they improve?
• Have your students keep up with current events.  A great conversationalist knows what’s going on in pop culture, sports, science, politics, and art.  Have them reflect on what they read and talk about it.  Have them share their opinions with the class. Moderate a short debate!
• Provide them some fixed phrases, 3 word chunks, and other fillers.  Ask them to insert these a few times during class discussions.  They can be things that open phrases such as “Well, basically...” and other words that will create the end of the turn such as “.. you know what I mean?”.  They have to use them quickly (speed of delivery) and automatically!
• Also, teach them how to stall for time such as saying “The whatcha-ma-callit?” or “thinga-ma-bob” and other phrases that native speakers heavily use when they are trying to claw their way through a conversation.  Give them works such as YEAH, OH, RIGHT, WELL, and BASICALLY and teach them how to combine them in to “Oh, right” or “Yeah, that’s right” or “Well, yeah” or “Well, basically”. Use these to avoid pauses and stall for time to think! Other great words are “actually...” and “I mean...” when used to elaborate further on what you’ve already said.
• Great speakers don’t think about what they’re going to say next while their partner is speaking. Instead, they listen to what is being said and react to some part of that.  Model how to do this for them and have them practice.  Give them useful phrases such as "I hate to disagree, but..." and "I see what you mean..." The better they are at creating flow, the more fluent they will become.
  
  
  What are your ideas? Post them in the comments!

Reminiscing on IATEFL 2013

An international teachers' conference makes room for quite a hectic audience. There are English teachers
coming from all corners of the world, all in search of professional growth, new academic ideas and technologies and the acknowledgement of being on the right track regarding teaching and teaching methodologies.

Although there are not many new proposals regarding TEFL for the current tendencies, there is still a lot we
can learn about the teaching of English. In fact, there is always something to learn or recall. One of the lectures I attended and enjoyed very much was Edmund Dudley's "High-achieving Secondary Students". Mr. Dudley is a teacher and teacher trainer working in Hungary. His main concern is to teach the student as a whole. In this process, he focuses on the environment of the class so that it can "nest" students positively and help them overcome any obstacles they may have in the process of learning English. However, he has stated such obstacles may actually not even refer to difficulties in assessing language. It has been the object of Mr. Dudley's studies and involvements the fact that there may be lack of motivation for learning even among those students considered high-achievers. Among the many aspects of teaching pointed by Mr. Dudley, he has suggested that our attitude towards the learning situation be able to bring out the challenge, the relevance, the value and the novelty of lessons. In his presentation, each of these topics was associated with an array of examples and ideas on how to promote creative learning.

Another presentation which was highly motivating for me was Gavin Dudeney's piece on technology. Still a
bit of a challenge to me, technology is more present in our lives on a daily basis than we even realize. Just
as we turn lights on and off, start the car, use the dishwasher, the air-conditioner or heater, or simply change
channels on TV, for example, in quite casually habitual, if not automatic daily attitudes, we also make use
of technology in a much more routine-like manner than we can acknowledge. Most people start their days
making use of the cell phone, smart phones, connections to social networks, or the accessibility to intranet
at work or the Internet for more personal endeavors, to name a few only. Our day is filled with opportunities
for using technology, being the classroom the one place which offers the most fruitful chances for efficacious,
audaciously creative teaching and learning.

Icebreakers - Ideas for the New School Year

We asked our teachers about their favorite icebreakers for the first class. Everybody agreed that icebreakers are an essential element to bond, to establish an inviting learning environment, to start connecting and getting to know our students. Here´s what CTJ teachers revealed: 

 I really believe in the importance of bonding with the students, so I prefer ice-breakers that involve the exchange of personal information. Two "oldies" that my students always enjoy are: 

The best lie: Write four sentences on the board about you. It can be general information or specific, such as what you did on your last vacation. Among the four sentences, one has to be wrong. Lie as best as you can! Students have to talk in pairs and identify the wrong sentence. Then it's their turn: they write their own sentences, one of them being wrong, and their classmate has to spot the lie. Finally, debrief the activity, asking students who the best liar in each pair was and perhaps to tell you and the group something they learned about their peer.
Numbers in my life: Write a set of numbers on the board: your apartment number, your shoe size, the age you had your first date, the age you lost your first tooth... Be creative! The less obvious the better! Students then have to try to guess what the numbers mean by asking questions (Making this also a nice opportunity to do some needs assessment!) . Then students do the same in pairs. Again, debriefing is always beneficial, for it shows your interest in the students' personal information and students get to know a little about their other classmates, too.

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Lately, I have been using wordle a lot on the first day. 
I show students many key words and ask them to make guesses about how they relate to my life . Depending on the level, I ask students to ask me questions to confirm their guesses. I have them do a word cloud like mine on sheets of paper and interact in pairs. I save their work and use what they wrote to understand who they are, and what they like. I use these sheets as name cards throughout the semester.

I found an interesting pdf with some suggestions that might be worth a try.
http://www.cylc.org/jrnylc/curriculum/pdf/classroomActivities_Facilitation.pdf

I also came across a blog post by one of the teachers in the Electronic Village Online session Neuroscience in Education - http://sasasirk.blogspot.com.br/2013/01/i-feel-you.html

The link takes you to Dan Pink's tip to discovering and nurturing our inner motivation. A simple answer to 2 questions: What's my sentence? (the thing I want to be known for) and...Was I better today than yesterday?http://seltechnology.weebly.com/whats-your-sentence.html

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Simple, sweet and fun.

I like the one we pass sweets around (jelly beans, M & M's) and tell students to help themselves and take some but not eat them yet. Then we tell students that for each piece of candy they have, they are supposed to give a piece of information about them (like favorite color, movie...).


This icebreaker can be adapted to different levels and can be used even if the students know each other (you ask for pieces of information the colleagues don't know yet).

This one is listed on Dani's pdf above, among many nice others!

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During the new teachers' workshop, one of my colleagues did something that I found really intersting: we drew our hands on a piece of paper and wrote five informations about ourselves inside the drawing. Then, the papers were mixed on the floor, and we had to get a hand that wasn't ours and find the owner, by asking him about the informations written. It was really dynamic and it doesn't put the student in the spotlight, which makes them more comfortable to speak.
Victória

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I like to play true or false using slides on the first day of class. 
Each slide has a sentence such as "The teacher is an excellent cook". 
They have to discuss in pairs and come up with a conclusion. Then, when I change the slide, there is a picture of me cooking at home or something like that. The slides begin with simple information (age, favorite soccer team, how long I have been teaching) and get tricky towards the end (what's my opinion about something). This gets them to know a bit about me and usually generates nice conversation topics about movies, books, videogames, music and so on. As soon as we finish this part of the game, we swap roles. I give them some slips and they have to write - and present! - five true/false sentences about themselves. Of course, if you have larger groups, you can cut back on the number of slides/sentences.

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I believe students feel safer and bond better with their teacher when they get to know who we are and a little about our lives, so I usually show a slide with words and numbers that relate to my life and have them guess in groups how they are related to me. Next, I show them a slide only with one of the words or numbers and have them tell the class how they think it is related to my life, ex: "Colombia", then I show a picture related to the word or number, talk a little about it ex:" I was born in Colombia" and tell them to ask me about that topic specifically. Students usually love it and end up asking lots of personal questions, sometimes I ask them questions as well. Be careful though not to overdo it or they may get bothered, choose 6 pieces of information that you would like to share. When they have finished talking about you, ask them to share 6 things about themselves with their groups, then open to the whole class. This activity is not only good to bond with them, but also to get an idea of their speaking skills.

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One of my favorite ice breakers is this one: I hand each student a piece of paper the size of a badge. On the board, I draw a square and in the center, I write my name. On each corner of the square, I write: "my favorite song/band", "my favorite food", "something nice that happened to me last year" and my favorite movie". Students should write their answers to these topics on the corners of their piece of paper and their names in the center. Next, they stick it to themselves (like a badge) and stand up. I play some music and when it stops they start talking to the nearest person about the information in the cards. It's very dynamic and fun. Finally, they sit down and share something interesting or surprising they found out about their peers. Of course the topics can be adapted.

Could you suggest other interesting ones?

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Here are two that I do every semester:
1) Tell students they can ask you anything they want about you. As they ask you the questions, don’t answer them at this point, but write the questions on the board. When you have a good number of questions, tell students that first they have to answer those questions about themselves in pairs. While students work in pairs, write your answers to the questions on the board, but making some of them true and some of them false. When they are done, ask students to report one thing they learned about their partner. Finally, tell students your answers are on the board, but that they have to guess which ones are true and which ones are false.

2) I divide the board into two big columns: YES | NO and I divide the classroom floor into two sides as well with scotch tape. Then I say a few sentences and, for each one, ss have to walk to the "yes" or "no" side of the classroom. For example, if I say "I practice a sport regularly", ss who do that have to move to the "yes" side, and ss who don't do that have to move to the "no" side. Then they have to ask a follow-up question to someone standing next to them. I usually say sentences like "I love to study English", "I was born in Brasilia", "I can play a musical instrument", "I traveled on my last vacation", etc. At the end, each st has to tell the whole class something they learned about a classmate and I take this opportunity to ask more follow-up questions.

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I cannot say I have a favorite one, I usually have a few I like to use depending on the level I am teaching, but one that never fails is the word cloud icebreaker, where I write some words on the board. Some are true and some are false information about me and have the students discuss in pairs or groups to find out which are true and which are false.

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A great icebreaker that I love to do and helps me remember everybody's name is throw the ball and say your name. It only goes in a crescendo of difficulty. Remember, the teacher always starts.
1. Ss stand in circle and throw the ball to anyone in the circle and say their own names. Until everybody in the circle has said his.
2. They throw the ball and say the name of one person whose name they have just learned. They have to memorize who they have thrown it to because they will do it several time around and throw the ball to the same person.
3. As they are throwing the ball around, you introduce a second and a third ball, it becomes a little hectic, they need to shout people's names because they have to be heard over the other two names, which are being shouted out as well. We all have a great laugh, and then you can check how many names they can remember (the ice has been broken).

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I´ve used many of those activities my friends above mentioned. No matter the activity is, it will all depend how open and willing to connect you are. Our students, just like us, have mixed feelings when they come to the first class, a blend of anticipation, excitement and anxiety. So, if you show you care for them, you are ready to be there with them, it is a crucial first connection with your learners. You are connecting emotionally to them, and this is tremendously beneficial to their learning process. 

Well, I´m always willing to give a try to a new icebreaker, a new beginning, so I just came across this wonderful Going to the Moon first-day activity that seems perfect for the group I´m going to teach:
http://expateducator.com/2013/01/28/a-new-school-year-in-the-southern-hemisphere/ . In the same post, there are other interesting ideas to start the school year. 

Throughout the years, CTJ´s Ed Tech Team has been compiling a comprehensive directory of Icebreakers that might suit you and your students. Check them out at:
http://pinterest.com/ctjonline/icebreakers/
http://www.scoop.it/t/warmers-fillers-icebreakers-for-efl-classrooms (Visual collection of ideas for EFL teachers)

http://collablogatorium.blogspot.com/2011/07/icebreakers-not-sleeping-pills.html (Carla Arena's post)

http://ctjconnected.blogspot.com/2010/01/ice-breakers.html (Dani Lyra´s suggestions)

http://tryingoutweb24ed.blogspot.com/p/ice-breakers.html  (Dani Lyra´s suggestions)

http://www.cybraryman.com/icebreakers.html 

Back to School Suggested Activities for young learners - (suggested by Maria da Luz)

Any other suggestions that we might have missed?

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Academic Series - Tuning Up Students Brains' with Lead-Ins

"Years of experience with classroom teaching and more relatively recent research on the stimulation of brain activity indicate a coordinated connection between the eyes, the mind and the body, principally the hands. The experience of sensation related to imagination and thought processes can immediately heighten the experience of learning."

In this special academic series post, Katy Cox, our CTJ educational consultant and former General Academic Coordinator, with years of classroom observation experience, tells us what a lead-in is, its importance to learning and practical ideas for the EFL/ESL classroom.

Other practical ideas for lead-ins to inspire you:

               

               Unit:  Healthy Food

Lead-in props:  two unmarked, closed paper bags, one with a hamburger, the other with fruit that emits a citric or other fruity odor.

Prodecure: after sts enter the classroom, they are invited to smell both bags – without seeing the contents – and say which bag they prefer, and why. The teacher announces that the bag most preferred will be given to a student at the end of the class. The lesson then proceeds with visuals and activities related to the unit topic. Bags are “raffled” randomly to “winners” at the end of the hour.

               Unit: Travel Problems

Lead-in props:  passport, money belt, foreign coins or bills, vaccination form, common medication ( Advil, motion sickness medicine, anti-acid tablets, etc), health insurance card, etc. Each student receives an item and discusses with a partner what importance that item might have on a trip – i.e. you are going to take a trip; how would this item be useful to you? Then go to the second phase: You are in the middle of your trip, and suddenly you don’t have this item; what problems could arise because of this?

Lesson then proceeds with book visuals and related exercises.

               Unit – Good Luck Charms

Lead-in props:  rabbit’s foot, good luck coin, etc; items from various cultures representing talismans which either attract good luck or ward off evil. Students discuss symbolic significance of each item and which aspects of each one might be positive or protective ( i.e. rabbit: agile, fast, prolific in propagation, clever at environmental blending, etc.). The teacher can conduct an auction of the items to see which ones obtain the highest and lowest bids.

Lesson then proceeds with visuals and related exercises.

               Unit -  Sports and Sports equipment

Lead-in props:  blind-fold strips and various kinds of balls (tennis, golf, squash, baseball, etc). Half of the class or groups of three or four blindfold an equal number of students; the teacher gives two or three balls to the blindfolded sts, who pass them among each other, feeling how they are made and of what material. The “seeing” students ask questions about the balls in play. Then the process is reversed, after the first group of balls is identified, and the other students are blindfolded and given a different set of balls. Once all the balls have been identified, the sports which have been mentioned during the “discovery” phase are put into columns on the board in accordance with book indications; this serves as scaffolding for the opening unit page.

Do you have any other suggestions and ideas of lead-ins that worked in your English classes?

Katy Cox